The Mesdames of Mayhem anthology, 13 O’clock, has garnered two recent reviews, both great.
Vanessa Westermann writes in Vanessa’s Picks in the April issue of the Sleuth of Baker Street newsletter:
M.H. Callway very kindly sent me a copy of 13 O’Clock ($15.99), the second crime anthology by the MESDAMES OF MAYHEM. I normally prefer to pick up a novel, rather than a short story collection, when looking for reading material. However, having just worked with a group of budding young authors in a creative writing club and given advice on crafting short fiction, it was a pleasure to read an anthology by lauded female Canadian crime writers and class it as ‘research’. These twisted tales offer entertainment to suit your every whim or perhaps, more appropriately, to suit the time of day. Over crumpets at breakfast, perhaps you’ll find yourself reading “Pulling a Rabbit”, about a woman whose adventurous spirit leads her from theft to abduction. Over a pre-dinner glass of merlot, you may choose to read “Glow Grass”, about dark deeds and blood-shed at a decayed family cottage. Whichever story you choose to read, at whatever time, you’re sure to find a tale of crime that will appeal to you, from the supernatural to comedy capers.
And Don Graves writes in Canadian Mystery Reviews:
A book of short stories is like a box of chocolates. There are those decadent dark chocolate truffles, those syrupy little beehives with a cheery inside and then…you get the picture.
Short story writing is a style where the author gets about a minute to ‘reel ‘em in and land ‘em’. No time to waste words. The author gets one shot to score. Short story writing can be the Waterloo that some authors fear. Enough.
13 O’Clock is a box full of delights. No assembly line writing here. It is short story writing that delivers. Did I like each story equally? No, but all of them got me in that critical first minute. In a long list of fine, hand-made “chocolates” includes “Perfect Timing” and “The Test of Time” by Melodie Campbell, “Thrice the Brinded Cat” by Joan O’Callaghan, “The Bench Rests” by Rosemary Aubert; this story took me back to those poignant legal series featuring Ellis Portal. Stories by Donna Carrick, Catherine Astolfo and M.H. Callway hit the spot. And I must mention one other. I’m sure you’ve heard the oldie about those can’t do…teach. Well, some say, those who can’t write…edit. But “Mirror, Mirror” by Cheryl Freedman blows that saying out of the water. Here’s one of Canada’s finest editors who can write!
Don’s review will appear in the next issue of Canadian Mystery Reviews and he has given us his permission to use the text of his review here.