Meet the Mesdames, Jane Burfield ~ by Joan O’Callaghan

Joan O'CallaghanAuthors, teachers, business-women, and so much more…

Our own Joan O’Callaghan presents a series of interviews with each of our Mesdames.

Our second, Jane Burfield, won the Bony Pete Short Story Award in 2001 for “Slow Death and Taxes”, the first short story she wrote.


Jane Petersen BurfieldJoan O’Callaghan interviews author Jane Burfield:

JO What have you written?

JB I have primarily written short stories, some of which have appeared in Blood on the Holly, Bloody Words, the Anthology and Thirteen.

JO When did you start writing ?

JB I started writing about 15 years ago, taking classes and learning the basics. I liked to read novels, the longer and juicier the better and so I was working on a novel at the time. I wrote a short story, my first, in 200I, to enter the Bony Pete contest at Bloody Words in order to cajole two writing friends to enter as well. My strategy was that one of them would win, and would be published, for in the writing world you really must be published to get published. To my absolute shock, I won. Since then, I’ve developed great respect for the short story format and the high wire balancing act it takes to craft a good story.

Writing is my fourth career. Journalism, teaching and business have all given me experience that helped to build skill and create ideas.

JO Why write mysteries?

JB Mysteries, often considered an inferior sub genre of literature, are a form of writing that gives the reader a chance to try to outwit the author. In writing mysteries, the writer must craft all the elements of ‘real’ literature and add unexpected twists on the narrative path. Not only must the author create good characters, style, setting, and plot, he must perform magic in obscuring the solution until the end. And at the end, the reader has a sense of logical progression and restored order.

I started reading mysteries with Nancy Drew and have found delight in reading the mystery genre all my life. Write what you like works for me.

JO Why do you think people like to read mysteries ?

JB See above

JO Is there a favorite place you like to write or a ritual you go through when writing ?

JB Someplace near water gets my mind working. I like to write at the cottage in the summer, and at my Florida condo in the winter. In a pinch, I find I get ideas in the shower when I am land locked.

I need a reason to write madly like a looming deadline. Otherwise, I can get lost in the planning stage of thinking, “what if ?”, or doing endless research, and take ages to get anything on paper. I like to write early in the morning when the world seems fresh and quiet and ideas flow.

JO How do you balance writing with the demands of a day job and/or family ?

JB In the last few years, job demands disappeared when I retired, and my family life became simpler. I now travel, perhaps too much, and enjoy family and friend time at home. Writing often is not a priority. I would like to change that.

JO What awards or other forms of recognition have you received for your writing ?

JB In 2001, I won the Bony Pete short story contest, and took home a delightful little articulated skeleton in his own coffin. In the next three years, I received more encouragement by placing 2nd, etc., in that contest. I’ve been published in several formats and had the fun of doing readings, and teaching creative writing.

JO What are you working on now?

JB Two short story ideas are demanding my creative attention. One may turn into a novella. I have a quarter cooked novel in my drawer which would have to be rewritten if I decide to work on it again.

JO As a writer, what is the best piece of advice you’ve ever received?

JB Don’t wait for the perfect plot or perfect time. Don’t wait to figure out every element of your story. Sit down, and write. Edit carefully later.

JO What do you like about being one of the Mesdames ?

JB I am honoured to be one of a group of amazing women who have accomplished so much in the writing world. Each member brings skills and knowledge. Writing can be lonely and filled with doubt. With the Mesdames a message or call away, I can ask for advice, and receive thoughtful critiquing and lots of encouragement. And they are fun at parties !

JO Is there anything you’d like to add ?

JB I am sad that Bloody Words will not happen after this year. We are losing too many bookstores, and mystery conferences, gathering spots for ideas and people who enjoy the same challenges and tastes. But I am heartened to be a small part of the mystery world in Canada that is blooming with great authors. Let’s see where this new age of writing and publishing takes us.

Thirteen, an anthology of Crime StoriesJane’s story Triskaidekaphobia is included in the Crime anthology THIRTEEN by the Mesdames of Mayhem, and is available at quality book retailers, including at Amazon.

Joan O’Callaghan is the author of educational books and short stories, including Sugar ‘N’ Spice in the anthology THIRTEEN (Carrick Publishing, 2013). Her short story George is available for e-readers everywhere, including Amazon Kindle.

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We Are So Proud…………………….. by Joan O’Callaghan

Joan O'Callaghan What a few months it’s been for both THIRTEEN and its contributing authors, the fabulous Mesdames of Mayhem!

On Thursday, April 25, an excited audience gathered on the lower level of Indigo at Manulife in Toronto to enjoy readings by members of Crime Writers of Canada, and to find out the finalists for the Arthur Ellis Awards.


Entertaining the guests with readings from their work were Mesdames Rosemary Aubert, Catherine Astolfo, Melodie Campbell, Madeleine Harris-Callway, Rosemary McCracken, and Joan O’Callaghan. Also in attendance were Mesdames Lynne Murphy, Sylvia Maultash Warsh and Cheryl Freedman.


Thirteen, an anthology of Crime Stories We could not be prouder!!! Two of the stories from THIRTEEN made the shortlist for the Arthur Ellis Award in the Best Short Story category: Watermelon Weekend by Madame Donna Carrick, and The Emerald Skull by Madame Sylvia Maultash Warsh.

Our own Madame Melodie Campbell who won the coveted 2014 Derringer for her novella, The Goddaughter’s Revenge, is again a finalist – this time for the Arthur Ellis Award in the Best Novella category and also for The Goddaughter’s Revenge. You can meet some of the memorable characters from the Goddaughter series in Madame Mel’s short story, Not My Body, in THIRTEEN.

As we announced last week, Madame Vicki Delany is a finalist for the Bony Blithe Award for light fiction, for her novel Gold Web. Vicki’s story, Sore feet and Gold Dust in THIRTEEN, is also from her Klondike series.

Madame Rosemary McCracken’s story The Sweetheart Scamster in THIRTEEN, was a finalist for this year’s Derringer Awards, bringing yet more recognition to the Mesdames. The Sweetheart Scamster is part of Madame Rosemary’s Pat Tierney series.

Arthur Ellis Awards winners will be announced at the AE banquet, on June 5th, while the winner of the Bony Blithe Award will be announced on June 7th at the Bloody Words banquet.

You won’t want to miss these popular events. Tickets for the Arthur Ellis Awards Banquet are available here, and you can register for Bloody Words 2014 here.

Hope to see you there!

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THE ARTHURS ARE COMING! ~ M.H. Callway

Greetings Readers!

Mesdames Blog Mad ArthurNext Thursday, April 24th, crime writers, fans and friends will gather in Calgary, Ottawa, Toronto and Vancouver to hear the announcement of the finalists of the 2014 Arthur awards. And the Toronto event at Indigo, Manulife Centre features no less than six of the Mesdames of Mayhem reading from their work. Mesdames Cathy Astolfo, Rosemary Aubert, M. H. Callway, Melodie Campbell, Rosemary McCracken and Joan O’Callaghan plan to steal the show!

Novellas and short stories crafted by the Mesdames are in the running. Fingers crossed for all thirteen Mesdames whose work is showcased in our inaugural anthology, Thirteen. Mme Rosemary McCracken’s chilling story, The Sweetheart Scamster, has already been recognized as a finalist in the prestigious Derringer Awards. And of course, Mme Melodie Campbell bagged the Derringer Award for Best Novella, for her hilarious caper, The Goddaughter’s Revenge.

The long list for the Arthur for Best Crime Novel is on the Crime Writers of Canada website.

Find out the names on the short-lists by following Twitter on April 24th.

THE 2014 BONY BLITHE
Mesdames Bony Blithe

Another coup for the Mesdames of Mayhem: Mme Vicki Delany’s Klondike novel, Gold Web, is a finalist for this year’s Bony Blithe Award! This could prove to be the best year ever for Mme Vicki who is also this year’s Guest of Honour at Bloody Words.

The full list of short-listed novels is now up on the 2014 Bloody Words website.

Bony Blithe is a relative newcomer to the annual awards for crime fiction: this is her third birthday. She was brought into the world to recognize excellence in light crime fiction or in the words of her birth mamas: a book that makes us smile, which includes everything from laugh-out-loud to gentle humour to good old-fashioned stories with little violence or gore.

The Mesdames will be clutching their good-luck amulets and charms for Mme Vicki at when the winner is announced the Bloody Words banquet on Saturday, June 7th.

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Murder Is Nothing to Have Fun With…Or Is It?

Bony Blithe Light Mystery Award Announces Finalists!

Bloody Words 2014

(Toronto, ON) April 17, 2014 – The Bloody Words Light Mystery Award, an annual Canadian award that celebrates traditional, feel-good mysteries has announced this year’s finalists. The award – aka the Bony Blithe – is for a “book that makes us smile,” which includes everything from laugh-out-loud to gentle humour to good old-fashioned stories with little violence or gore.

The judges came up with five books for this year’s shortlist.
The five finalists for the 2014 Bony Blithe Award are:

Finalist 1 … Gold Web by Vicki Delany (Dundurn)
Finalist 2… Framed for Murder by Cathy Spencer (Comely Press)
Finalist 3… Thread and Buried by Janet Bolin (Berkely Prime Crime)
Finalist 4… Never Laugh as a Hearse Goes By by Elizabeth Duncan (Minotaur)
Finalist 5…Miss Montreal by Howard Shrier (Vintage)

The award will be presented at the Bloody Words Mystery Conference gala banquet on Saturday, June 7, at the Hyatt Regency Hotel, 370 King St. W., Toronto. The festivities start at 7:00 p.m. For banquet tickets ($95 each), contact Karin Hill, bwregistration@hotmail.com.

The winner will receive a cheque for $1,000 plus a colourful plaque.

For additional information on this year’s award, contact: Joan O’Callaghan, 416-733-8574, or email ejoanocallaghan@gmail.com .

To register for the Bloody Words Mystery Conference (June 6 – 8), visit Bloody Words 2014 Registration.

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Meet the Mesdames, Catherine Astolfo ~ by Joan O’Callaghan

Joan O'CallaghanAuthors, teachers, business-women, and so much more…

Our own Joan O’Callaghan presents a series of interviews with each of our Mesdames.

Our first author, Catherine Astolfo (Emily Taylor Mystery Series), is well-known in Canadian Crime writing circles. A former president of Crime Writers of Canada, retired teacher and family woman, Astolfo is no stranger to the high-energy mayhem of a writing life.


Catherine AstolfoJoan O’Callaghan interviews author Catherine Astolfo:

JO: What have you written?

CA: I write anything! I have five books published, a few short stories and poems published, and I have written a television script and am working on a movie script based on one of my novels. I have this compulsion to write, even if no one reads it but my husband.

JO: When did you start writing?

CA: As soon as I could string words together and make a sentence, I started writing. I remember making up fairy tales for the kids in my class when I was seven. Even one of my former classmates from Grade Three reminded me of this! At twelve, I received my first typewriter from my grandfather, and off I went! I began to submit short stories in my twenties.

JO: Why write mysteries?

CA: I love the mystery genre because it’s so comprehensive. An author can write about injustice, tragedy, comedy, a myriad of personalities, any kind of plot or setting—it’s truly endless. There isn’t really a “formula” these days, either. So many sub-genres have popped up that it’s practically impossible to classify them all. Authors break all sort of rules when they write mystery or crime and are still very successful. There are tons of crossovers, too—we can include romance, fantasy, science fiction—and still have a solid mystery or crime at the core.

JO: Why do you think people like to read mysteries?

CA: I believe it’s a combination of our innate curiosity—that is, the desire to solve a puzzle—and the interest in evil versus good. Most mystery/crime stories result in justice being served, whereas in real life, that doesn’t always happen.

JO: Is there a favourite place you like to write or ritual you go through when writing?

CA: I have a beautiful roll-top desk that was given to me when I retired from education. That’s my favorite place to write, but I will write in the car, on a beach, with a fox in a box… As for a ritual, it’s about circling the seat, getting off the Internet, and putting those fingers to work.

JO: How do you balance writing with the demands of a day job and/or family?

CA: I stink at this. When I had a day job, I wrote very sporadically. Now that I’m retired, I still write in spurts, even after eleven years. I keep trying to make myself a schedule, but up to this point, it hasn’t worked. But it will! I will make that schedule. As soon as I’m finished doing all the other stuff.

JO: What awards or other forms of recognition have you received for your writing?

CA: I have received a Brampton Arts Award (novel), a Bony Pete (short story), and an Arthur Ellis Award (short story).

JO: What are you working on now?

CA: I’ve got three projects on the go, which I do NOT recommend for anyone. I think I’ve developed old age attention deficit. An adult novel tentatively titled Up Chit Creek is a black comedy-mystery; a young adult mystery set in the Florida everglades; and a movie script based on my fourth Emily Taylor mystery, Seventh Fire.

JO: As a writer, what is the best piece of advice you’ve ever received?

CA: I know that I would write, no matter whether anyone read it or not, but being a published author is a different story, as they say. The best advice I received on being the latter is to be persistent and, in that persistence, to have faith in yourself and your talent. It’s a hard thing, sometimes, to be proud and assertive, but that’s what it takes. So I fake it a lot of the time and push myself to “sell” my writing to others.

JO: What do you like about being one of the Mesdames?

CA: Mostly, I am absolutely in love with these women. They are strong, smart, talented, fun, and hard working. Being part of this group gives me confidence, networking, opportunities, and support.

JO: Is there anything you’d like to add?

CA: Writers, especially if you have a desire to share and be published, really need a group of like-minded people who can give you advice, assistance and camaraderie. Go find your group!

Sweet KarolineCatherine’s latest novel, Sweet Karoline, (Imajin Books, July 14, 2013) is available at quality book retailers, including at Amazon.

Joan O’Callaghan is the author of educational books and short stories, including Sugar ‘N’ Spice in the anthology THIRTEEN (Carrick Publishing, 2013). Her short story George is available for e-readers everywhere, including Amazon Kindle.

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Open Invitation – Exciting Multi-Author event: Moonshine Café in Oakville

Don’t miss this fabulous event! (See open invitation below.)

WHEN: Sunday May 18th. 1:00 pm
WHERE: Moonshine Café, 137 Kerr Street, Oakville, ON
WHO: Vicki Delany (Under Cold Stone, Poisoned Pen Press)
Melodie Campbell (The Goddaughter’s Revenge, Orca Book Publishers)
John Lawrence Reynolds (Beach Strip, Harper Collins e-Books)
Linda Wiken (The Whole She-Bang, Crime anthology)
Jill Downie (A Grave Waiting, Dundern Toronto)

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‘Murder and Mayhem’ in E.Y. ~ by Sandra D. Sukraj

REPRINTED WITH THE KIND PERMISSION OF THE OBSERVER

On a cold, snowy winter day, a group of six gathers in a cozy East York café to share stories of murder, mystery, sensuality, romance, revenge and humour. They’re stories that grab your attention, wrapping themselves around the crevices and corners of your mind, leaving your fingers anxiously waiting to turn the page — themes that the Crime Writers of Canada are no strangers to.

Eager patrons grab their coffee and gluten-free cookies and pull up a chair at Du Café on O’Connor Drive. They listen attentively to live readings of excerpts from seasoned writers, many of whom are journalists-turned-authors.

Hosted by Sharon A. Crawford, author of Beyond the Tripping Point, readers at a recent session included Rosemary McCracken, a Toronto-based freelance journalist and author of Safe Harbour; Catherine Dunphy, Ryerson print journalism and magazine professor and author of Morgentaler: A Difficult Hero; Madeleine Harris-Callway, award-winning mystery author and contributor for Thirteen: An Anthology of Crime Stories by Mesdames of Mayhem; Karen Blake-Hall, author of Nefarious North: A Collection of Crime Short Stories; and Steve Shrott, an award-winning comedy writer and author of Audition for Death.

“I really hate reading out loud,” said romantic suspense author Blake-Hall. “It’s the worst part of writing.”

Since opening its doors almost a year ago, Du Café has been involved in helping and providing a venue for the events put on by the Crime Writers of Canada, such as Murder and Mayhem.

“It’s a little community within the community,” said Crystal Holmes, owner of Du Café.

Crawford approached Holmes in September with the idea of hosting the events.

Mesdames of Mayhem is a group of 15 female Canadian crime writers. Founded by Harris-Callway in 2013, Thirteen is their first anthology, consisting of 13 of the 15 authors.

Harris-Callway said they have been working together a very long time.

“When Madeleine had this wonderful idea, I just thought, we have to support her,” McCracken said. “I love writing. I always wanted to be a fiction writer.”

So, why are women intrigued by mystery?

“I think the reason so many journalists have segued into mystery writing is because the ultimate mystery is ‘who the heck are we?’” Dunphy said. “It’s motivation. It’s character study.”

Shrott, who has written jokes for Phyllis Diller and Joan Rivers, found his niche by combining comedy with mystery.

Crawford said one of the greatest rewards of being a writer is having people read your work.

Organized by Nate Henley, Crime Writers of Canada Books and Beverages takes place once a month, with the exception of December, each at a different venue.

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WHY THIRTEEN: AN ANTHOLOGY OF CRIME FICTION?

Greeting readers!

The Mesdames of Mayhem are coming up to their first anniversary so I thought it was timely to reprint my guest blog from Mme Rosemary McCracken’s website. What’s even more exciting is that Rosemary’s story, The Sweetheart Scamster, is a finalist for this year’s Derringer award! And Mme Mel Campbell’s novella, The Goddaughter’s Revenge, is a finalist in the novella category.

As we all know, the publishing business is going through a seismic shift. Digital books are the future and we must embrace them or disappear. The new age of publishing is both liberating and terrifying. We have the freedom to publish our own books, but we can also sink without a trace in an ocean of indie authors.

As former management consultant, I’ve learned the immense power of team work. Teams accomplish far more than individuals. And to master our new environment, what better way than to find out by doing?

For many years I’ve belonged to two vibrant writing critique groups. Together we are fifteen established crime writers and editors, many of us winners or finalists of prestigious awards like the Edgar, the Arthur, the Debut Dagger and the Bony Pete. I asked myself, what if we authors banded together? What if we promoted our own work and the work of our friends? That way we’d tap into our own network and the networks of fourteen other women. And we’d have fifteen times the knowledge, experience and support to draw on.

I floated the idea by my friends – and they loved it! And so The Mesdames of Mayhem were born. In short order, we had our own website, Facebook page and Twitter account. And thanks to artist, Sara Carrick, we have a distinctive brand.

Our anthology, Thirteen, is a collection of crime stories by thirteen of the Mesdames. Its main purpose is to showcase our writing. In one book, readers get a chance to sample the writing of thirteen writers – and the links to their websites and other books.

Thirteen also built us as a team. Nothing focuses a team as much as a goal and deadline. And nothing rewards a team as much as a tangible product at the end.

We decided to produce Thirteen in both digital and print form. In that way we became, what The Writers Union of Canada calls “hybrid authors”. For practical reasons, our e-book was published first.

Marketing a digital book is entirely different from a print book. To generate sales, you must cause ripples in cyberspace. The cyber launch for Thirteen sold books to readers all over North America. For a time, it was Number Two on Amazon’s best seller list for mystery anthologies. Another strategy that continues to work well is a sale – a deeply discounted price that Amazon allows us every few months.

Thirteen, an anthology of Crime StoriesBlatant plug here: Thirteen will be available in Kindle edition Free from March 20thto 24th!

With regard to the print edition of Thirteen, we’ve had excellent support from book stores, cafes and libraries. Our print launch at Sleuth of Baker Street was a huge success. What has been especially exciting are the joint ventures with community theatre. We promoted two mystery plays through our members and website – and the companies arranged for us to sell Thirteen and our books at the theatre.

It’s been quite a ride and we have many readings at libraries and book clubs to look forward to. And the Arthur Awards Shortlist Event is coming up on April 24th – fingers crossed! Check our website for updates!

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Michael Innes, my favourite mystery author ~ Lynne Murphy

Lynne MurphyMichael Innes is the author of some 50 mystery novels or books of short stories and I own 40 of these. When I chose to blog about him as my favourite mystery author, I didn’t realize that I was going to have to reread most of these books. Over the years, the plots have run together in my mind, understandably since plot is never the strong point of an Innes novel. He is incredibly erudite which can get in the way of the action. But ultimately, I like him because he makes me laugh.

Michael Innes is the pseudonym of John Innes Mackintosh Stewart, born in Edinburgh in 1906, Oxford educated and author of a number of literary novels and works of criticism. As Innes he wrote 37 books in the John Appleby series, four featuring an art connoisseur named Honeybath and ten stand- alone mysteries. As Stewart he wrote literary novels and books of criticism. In 1987 he published a memoir, “Myself and Michael Innes”. He died in 1994.

The writer Julian Symons has described his writing as “an over-civilized joke which makes it a literary conversation piece with detection taking place on the side.” He also refers to the style as “rather in the manner of Peacock strained through or distorted by Aldous Huxley.” And another critic says his writing combines “Jamesian characters’ speech, the intellectual precision of a Conradian description and amazing coincidences that mark any one of Hardy’s plots.” So you can see he wouldn’t be every reader’s cup of tea.

In case you have forgotten your English studies, Thomas Love Peacock was the friend of Shelley, who wrote the comic novels “Nightmare Abbey” and “Headlong Hall.” I quote from his satirical poem, “The War-Song of Dinas Vawr”.

“We there in strife bewildring
Spilt blood enough to swim in.
We orphaned many children,
And widowed many women.”

But I digress.

The first Michael Innes novel is “Death at the President’s Lodging”, published in 1936. Inspector John Appleby comes to Oxford from London to investigate the murder of the president of St. Anthony’s College. It is a bit tedious , one of those puzzles where everything hinges on whether a telephone call was made at 11:20 or 11:23. Since most of the characters are Oxford dons, someone is always throwing in a literary quotation which Appleby always recognizes. I had forgotten that he had been up at Oxford, eight years before the events of the novel. He is obviously the right sort (though his grandfather was a baker) and fits in well. Stewart was an Oxford don himself so he would know.

“Hamlet, Revenge”, published in 1937, involves a murder during a private performance of “Hamlet” at Scamnum Court, home of the Duke and Duchess of Horton. Innes dearly loved a Lord and the gentry and the aristocracy feature prominently in his books.

“Stop Press”, published in 1939, is interesting because the main character is a writer who, oddly enough, has written 37 books about a criminal turned good guy, called The Spider. The author is getting sick of his creation and wants to kill him off but too many people depend on the industry he has created. Appleby’s sister, Patricia, is one of the main characters here but I haven’t come across her again.

With the coming of World War Two and later the Cold War, Innes wrote a number of novels involving spies, secret formulae, and prolonged chases across England, Scotland, and Ireland in the manner of John Buchan , a fellow Scot. He described one of these books, “The Journeying Boy”, as “not wholly unsuccessful” which gives you an idea of his self deprecating style. It is a favourite of mine though Appleby is not a character in it.

Mesdames Lynne ApplebyAnother of my favourites is the very funny “Appleby’s End”, where the detective meets Judith Raven, a sculptor, on a train. She comes from a county family and all her relatives are completely dotty. She and Appleby spend a night in a haystack, get engaged within twenty-four hours, and marry two or three days later. Judith appears in many of the later Appleby novels, very much her own woman. She continues with her artistic career while producing a number of children. One of them, Bobby, is the detective in a few later mysteries but he never takes off like his father did.

The Honeybath novels give Innes a chance to show off his knowledge of art (he had a special fondness for Vermeer) but Honeybath is not as plausible a detective as Appleby. Like the creator of The Spider, Innes kept trying to get rid of his hero but no one else could take Appleby’s place.

You may have seen the Disney film, “Candleshoe”. Innes wrote the book “Christmas at Candleshoe”, on which it is very loosely based. Disney bought it as a vehicle for Jodie Foster and changed the boy hero into a girl along with practically everything else in the story. Incidentally, Christmas in the title has nothing to do with the season. He is a celebrated artist in wood, on the lines of Grinling Gibbons. (You read enough Innes and you start imitating his style.)

One of the great mysteries about John Appleby is his career in the police. When he married Judith, he was going to retire and become a farmer—a gentleman farmer of course. Innes wrote a number of stand-alone mysteries during this time. Then Appleby reappears as Assistant Commissioner of Police at Scotland Yard and he has been kinighted. Innes was somewhat bemused by this himself and described it as an unusual career path. In “Appleby Plays Chicken” we learn that Sir John did something secret during the war so perhaps that explains his promotion.

While I was doing this research on Innes I came across an amusing error. One of the files I Googled mentions that Stewart had married his landlady while a lecturer at the University of Leeds. For such an intellectual and social snob this sounded unlikely. When I read his memoir I realized that this was a misreading of the text. He actually married a fellow lodger, a medical student, who later qualified as a doctor. As I’m sure you all know, not everything you read on the Internet is true. But at least my admiration for Michael Innes is sincere.

Thirteen, an anthology of Crime StoriesLynne Murphy studied journalism at Carleton University and worked as a reporter on the now defunct “Ottawa Journal” and then as an editor for CBC Radio News. (It was in the sixties and Lynne was the first woman editor they ever hired.) It was there she learned to “write tight”.

Lynne has sold articles through the years, but “The Troublemaker” in the Sisters in Crime anthology The Whole She-Bang is her first published work of fiction.

The Mesdames are proud to feature Lynne’s story “Saving Bessie’s Worms” in our 2013 crime anthology titled THIRTEEN.

In 1992 Lynne helped found the Toronto Chapter of Sisters in Crime and is proud that it continues to thrive.

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Standalones vs. Series ~ Vicki Delany

Vicki DelanyThere are, basically, two types of mystery novels: standalones, in which characters appear once, never to be seen again, and series, in which characters feature in book after book.

As a reader as well as a writer, I am torn as to which I prefer. I believe that in real life a person, unless they’re a secret agent or bodyguard to a crime boss, has only one great adventure in them. Police officers will tell you that the job’s pretty boring most of the time, and crimes, even murders, are mundane things, easily solved.

A standalone novel gives the protagonist that one opportunity to achieve great things; to have that grand adventure; to meet the everlasting love of their life; to conquer evil, once and for all. In a standalone, the characters face their demons and defeat them.

Or not.

My first books were standalone novels of suspense. In Scare the Light Away the main character confronts, for one last time, the debris of her traumatic childhood. In Burden of Memory, the protagonist faces down the ghost of a past that is not hers, but is still threatening what she holds dear.

I then switched to writing series books, but returned in 2012 with a standalone gothic thriller, More Than Sorrow, about a woman attempting to recover from a Traumatic Brain Injury caused by an IED explosion in Afghanistan. The focus of the novel is on Hannah Manning’s attempts to recover her life while she experiences visions and fears she is losing her sanity. Her inability to explain where she was and what she was doing (even to herself) when a woman disappears, puts her in the cross-hairs of an old enemy.

Not a story line you could drag out over a series of books. How many old enemies can a woman realistically have?

As Barbara Peters, owner of the Poisoned Pen Bookstore in Scottsdale says. “In a standalone the reader has no safety net. The reader knows it is possible the main characters may die. You can assume in a series they will not.”

Now I’m back to Constable Molly Smith, Sergeant John Winters and the town of Trafalgar, B.C. with the sixth book in the series, A Cold White Sun. (Coming in April: Under Cold Stone) Series novels present different problems. The central character, or characters, confronts their demons, but they do not defeat them. Their weaknesses, all their problems, will be back in the next book. In each story the series character stands against, and usually defeats, someone else’s problem or society’s enemy, but she or he moves only one small step towards the resolution of their own issues, if at all.

It can be a challenge to keep the main character interesting and growing and changing (and not dying) but to do it so slowly that the reader’s interest in the character can be maintained over several books and several years.

In the Constable Molly Smith novels, set in a small town in the mountains of British Columbia, Molly is haunted by the death of her fiancé, Graham. It was a meaningless, preventable, tragic death and, even in her grief, Molly knows that returning to the small town in which she grew up and becoming a cop won’t help her to make sense of Graham’s death. But she does anyway, and as the series unfolds, Molly is able to confront the gulf that Graham’s death has left in her life and, eventually, move on. By the time we get to the sixth book in the series, A Cold White Sun, Molly has put Graham’s death behind her, and said her good-byes. Now she has a new man in her life, Constable Adam Tocek of the RCMP. But new problems arise.

A Cold White SunWas Tony flirting with her? He certainly was. It felt nice. He was a good-looking guy; he obviously found her attractive. He was a good skier. What could it hurt? She thought about Graham, her fiancé, dead for almost five years now. She thought about Adam. She thought about putting in a twelve-hour night shift and how she’d feel following that.

“I won’t be here until around one.”

He gave her a huge smile. “What a coincidence. So will I. Probably hanging around at the top of Hell’s Vestibule.”

“Molly, are you coming? I’m starving!” An exasperated Glenn said.

“I’m coming. Don’t be so impatient.” They carried the laden trays to their table.

Molly Smith knew Tony’s eyes were following her.

A Cold White Sun by Vicki Delany

Which do you prefer, standalones or series?

I suspect that, like me, you’ll vote for both.

Vicki’s latest books are A Cold White Sun from Poisoned Pen Press, and Gold Web: A Klondike Mystery from Dundurn. If you’d like to read the first chapter, please go to: www.vickidelany.com.

Vicki can be found on FaceBook and Twitter: @vickidelany. She blogs about the writing life at One Woman Crime Wave.

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