The Future of Publishing – Part I: Why I love my Kindle… ~ Donna Carrick

Donna CarrickWe Carricks are a family of bibliophiles.

Martha Stewart would have a “clutter-buster” field day in our home. From one room to the next, our deco-theme is consistent: a rich display of Canadian yarns — both the literary and the woolen varieties.

In the past, there were times when I felt mildly threatened by the teetering stack of unread books that resided near my bed. I finally had to issue a general “disburse” order, for my own safety. Now the once mighty tower loiters in several smaller, sullen clusters, lurking with menace in the darker corners of our bedroom.

Divide and conquer, that was my strategy.

All those wonderful, powerful words. They’ve been part of my life forever. I can’t imagine travelling without my security bag full of books, and even though I don’t find as much reading time as I once did, I still would not be able to sleep without my friends.

For me, books are the literary equivalent of a favourite Teddy bear.

(I’ve been known to fall asleep hugging a book, just in case you think I’m exaggerating on the ‘Teddy bear’ reference.)

I’ve read books, written books, recommended books, reviewed books — heck, I’ve even published books.

Me and books, we’re close.

Because books comprise the essence of my world, this debate that rages throughout the literary world, (you know, the one about “Print” vs “e-Books”) used to cause me a measure of anxiety.

It was as if my closest friends were fighting amongst themselves.

Come on, words, I wanted to say. Can’t we all just get along?

Then I bought my Kindle.

Don’t get me wrong. I know there are other fine e-readers out there. I also own a Kobo, an iPad and an iPhone, all of which are perfectly acceptable e-readers in their own right.

However, I must in all honesty admit: it was Kindle that won me over.

With its ample library storage capability, its no-glare screen, perfect for reading in the sunshine, and its un-matched on-line boutique of low-cost (and sometimes free) e-books, Kindle quickly became my favourite Teddy bear.

It never ‘lurks’ beside my bed.

It never ‘towers’ over me in an intimidating manner.

When I want to read, it is simply there.

If I fall in love with a book or an author, I no longer have to wait till our next family bookstore outing. I can immediately order the next in the series, and be reading it in less than 60 seconds. (Conversely, if I’m disappointed in a book, I can simply delete it from my library, without those guilty feelings I used to suffer when removing a book from my home.)

My compulsion has taken me down a whole new avenue — one that is healthier, cleaner and less cluttered.

Don’t get me wrong. I still love my books. Those beautifully bound ‘word-temples’ will always hold a place of pride in my home, as well as in my heart.

The Book of Stolen TalesRecently, we went on our family vacation. I meant to bring along my author-signed copy of The Book of Stolen Tales by Dorothy McIntosh, Penguin Canada 2013. The second in McIntosh’s Mesopotamian ‘antiquities thriller” series, I was itching to read Stolen Tales and was truly disappointed to discover it was missing from my luggage!

In the world of Kindle, however, such a tragedy need not go un-remedied.

A few keystrokes later, there is was — perched at the top of my reading list.

We’re all so busy these days. For those of us who harbour a passion for books, it isn’t always easy to be at the right place, at the right time.

Sweet KarolineEarlier this summer, I received an invitation to attend the launch of Sweet Karoline by Cathy Astolfo, Imajin Books 2013. Unfortunately, I simply couldn’t be there.

Once again, I was saved by the power of Kindle. Within seconds, I found myself on my deck, enjoying this taut psychological thriller by a master crime writer.

True, my arguments are purely subjective, and more than a little “tongue-in-cheek”. Not to mention, they read like an ad for Amazon. (For those of you who love your Nook, Sony, Kobo or tablet, I apologize for my admitted prejudice in favour of Kindle.)

Apology duly delivered, I am often asked by e-reader Newbies for my opinion on the best available e-readers. I admit, I am prone to make a blatant case for the Kindle.

Here’s why:

1- In my humble opinion, Amazon Distribution can’t be beat. It offers Prime Membership and a fast-growing lending e-library. Readers can sample new authors for Free, through the KDP Select Promotional service. The selection of titles is mountainous — nearly as imposing as my former “Tower of Books”!

2- In a word: Kindle Apps. Well, that’s two words, and one of them isn’t even a word, really. However, Kindle Apps are the bomb. For anyone who isn’t familiar with this phenomenon, let me fill you in:

I have a free Kindle App on my iPad, another on my iPhone and one on my PC. They all sync, using Amazon’s ‘cloud’ service.

What this means is that, if I leave off reading at page one of chapter 3 of the latest title on my reading list, then all of my devices ‘know’ where I left off.

If I find myself, as I sometimes do, waiting in line at the supermarket or lounging in a medical office, I can simply pull out my phone or my tablet and resume reading — exactly where I left off.

Thanks to this marvellous technology, I no longer have to carry my “book” with me.

3- Ease of Kindle Publication. While some might argue that today’s e-publishing world has flooded the literary market with oh-so-much schlock, (and I won’t pretend there isn’t at least a measure of truth in that statement) it has also undoubtedly allowed many fine, previously-unheard-of authors to gain a footing in our industry.

On the flip-side, it has given readers the opportunity to experience a far broader range of literary art than any of us would have imagined possible a mere ten years ago.

This, my friends, is the very definition of a literary renaissance!
fleuron for Web- Copy (800x77)

The First ExcellenceDonna Carrick is the author of three literary thrillers: The First Excellence, Gold And Fishes and The Noon God. These, along with her crime story anthologies (Sept-Iles and other places, Knowing Penelope) are all available at Amazon.

Donna’s e-Books have consistently climbed the Amazon Kindle rankings in the category of Canadian Literature, often holding the #1 spot.

At nearly 100,000 e-title downloads through Kindle alone, Donna’s e-book sales have far out-stripped ‘print’.

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The Mesdames of Mayhem is proud to welcome our newest member: award-winning author Rosemary Aubert

Rosemary AubertRosemary Aubert is the author of sixteen books, among them the acclaimed Ellis Portal mystery series and her latest romantic thriller Terminal Grill. Rosemary is a two-time winner of the Arthur Ellis Award for crime fiction, winning in both the novel and short-story categories.

She’s a popular teacher and speaker. Rosemary is a member of the Crime Writers of Canada and the Mystery Writers of America. She conducts a much-in-demand writer’s retreat at Loyalist College in Belleville, Ontario each summer, as well as mentoring writing students who are studying at the School of Continuing Studies at the University of Toronto.

As a hobby, Rosemary studies math and science and has recently completed her second stint attending lectures at the International Summer School at Cambridge University in England. She intends to use some of this math knowledge in future works. Rosemary is an active member of the Arts and Letters Club of Toronto where she promotes Canadian writing and encourages other writers like herself.

imageRosemary Aubert’s latest book, Terminal Grill, is available at:
Quattro Books
Amazon.ca
and at Chapters-Indigo

Visit Rosemary at her Website for more information.

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Write A Review Part 2: Star Wars ~ Catherine Astolfo

Catherine AstolfoAs a retired teacher, I suppose I am biased in my view of “ratings”. I came from the old school—literally. I never believed in scoring something unless there was a set of criteria laid out from the beginning. When I gave an assignment, I also gave the evaluation scheme with it. If the student wanted an A, I would describe what they had to do.

The most objective appraisals, of course, involve right or wrong answers such as 2 + 2 = 4. No debate. As for all other evaluations, some subjectivity is involved. However, when the assessor has knowledge of and experience with the task or skill being evaluated, the subjectivity is dependable.

That brings me to book reviews. On most sites, I am asked, as a reader/reviewer, to give the book I’ve just read a star rating. This score is extremely important to the author of the novel. Amazon, for instance, uses the ratings to promote the books. Readers most often only look at novels with a 4 or 5 star rating. But what are the criteria? What does the rating mean?

Well, to put it bluntly, there are no criteria. Unless you are a professional reviewer and have studied the various genres, the rules a writer is supposed to follow, the techniques or skills to be admired, and so on, you will be completely subjective in your evaluation. You’ll have no template to go by.

In fact, Amazon assumes that this is the case. Clearly the scoring guideline wants you to be totally subjective. Five stars means “I love it”. How much more biased can you be?? 4 stars = “I like it”. 3 stars = “It’s okay”. 2 stars = “I don’t like it”. 1 star = “I hate it”. You HATE a book? Oh my.

The BridgemanWhen I peruse the ratings on my books, I often cringe. The Bridgeman has a 4 star rating. I would expect that its score would be somewhat lower because the subject matter is dark. Despite the hopeful ending filled with love and community, it nevertheless describes the underbelly of society.

VictimVictim, on the other hand, is a pretty tame read. There’s lots of native philosophy, hope and love. It has a four and a half star rating. My current author rank is 140,000 out of several million. Could be better, but still an achievement.

However , all of this ranking, promoting, highlighting and selling is largely the result of the number of stars a novel has. And the number of stars is so subjective that I don’t see how my books can possibly be compared to anyone else’s. What my readers love or hate may be polar opposite to what you love or hate.

In fact, I often look at a favorite author’s one-star rating and wonder what planet that reader must be on in order to despise that particular work, which I loved.

So—what to do? One of my colleagues refuses to give stars at all. That might be a good strategy, except for the fact that Amazon bases its promotions and highlights on stars. My policy is that I never post a review that’s only 1 or 2-star worthy. In other words, I didn’t like the book at all. Maybe that skews the ratings for my reviews, but so what? Nobody is going to look around for those lower rated novels. They’re going to go for the 4 & 5 star books. If there are one or two stars among the other 5-star scores, the lower ones are going to be dismissed anyway.

I will write a 3-star review if the reasons I didn’t like it are technical. Such as, the editing could be improved, but the plot and character descriptions, etc., are essentially good.

The only way to really get the low-down on the book is to read the review. Ignore or take the star rating lightly. (And I did have that previous rant on “how to write a review”, so go read that, too.) To me, it goes hand-in-hand with not bothering to post a 1 or 2 star reaction.

Unless Amazon creates objective criteria for loving or hating a book, perhaps based on an expert reviewer’s point system, I am keeping with my policy.

Sweet Karoline
Cathy Astolfo’s latest book, Sweet Karoline, is currently rated at 5 Stars, and available at a low introductory price for Kindle!

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The Mesdames – Getting It All Together, by Joan O’Callaghan

Joan O'CallaghanThe Mesdames of Mayhem will be publishing an anthology of short stories in the fall. It’s been an interesting process and for Mesdames Madeleine Harris-Callway, Donna Carrick and myself, Joan O’Callaghan, the learning curve has arced steadily upwards.

The anthology is the brainchild of Madeleine Harris-Callway. She assembled the rest of the Mesdames and invited them to contribute. We were overwhelmed by the enthusiastic reception to her idea, and from so many talented women.

From then on it was a matter of working the logistics of putting this together – and writing our own stories as well!! Madeleine and Donna brought together their formidable talents in the fields of project management, finance, publishing and social media and something special took root and continues to blossom and grow.

It’s not always easy. Writers by definition are a solitary lot and trying to keep them on track to meet our deadlines is sometimes akin to herding cats.

Madeleine is the task-mistress and she’s done an admirable job of reminding us and pinging us when necessary. The file of completed stories is growing daily. Most of the stories are in now, and we’re delighted by the quality. We expect to have a stellar collection available in time for Christmas shopping. We set our deadlines and publications dates with the holiday season in mind. So bear in mind those people on your list who enjoy a good mystery. Available as both a print and an e-book, the anthology will be the perfect gift.

Dr. Jane CoryellSometimes opportunities fall into our hands and we need to recognize them. Such an opportunity presented itself last week, when friend of the Mesdames and talented artist Jane Coryell told me that she was designing the set for the Village Players in Waterdown, Ontario. This group will be mounting a production of Murder by the Book in the late fall. The script involves a group of women who write mysteries. Hello!!!! Here we are!! Jane was only too happy to approach the Director and Producer and the collaboration between the Mesdames of Mayhem and the Village Players was born. In forthcoming blog-posts we’ll tell you more about this production and our role. So stay tuned!!

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Author Branding: a sometimes “Mysterious” concept for Crime Writers ~ Donna Carrick

Donna CarrickFrom cryptic tales to cozies, from classic mysteries to thrillers, the scope of our beloved “Crime” genre is being magnified even as I write this entry.

The growing list includes: True Crime; Antiquities; Paranormal; Gumshoe; Literary Thrillers; Classic Mystery; Cozies; Romantic Capers; Comedic Crime… and many more that escape me at the time of this writing.

While it is wonderful to see our genre expand in this way, it does present many Crime authors with a minor dilemna: Where, oh where, do our stories and novels fit within this ever-shifting framework?

And does the answer to this question even matter?

It may be tempting to disregard the finer points that define our “Author Brands”. However, when we approach the question from a reader’s point of view, the distinctions become relevent.

Readers, when they enjoy our work, tend to be deeply loyal, returning time and again to a favoured author. They love to revisit characters, catch up with “old friends” and discuss the merits of a series with other bibliophiles.

As a life-long avid reader, I know this to be true.

In fact, some readers are so tied to their favourite styles, that many well-known authors choose to write under multiple names, in order to avoid reader-confusion.

For example, renowned Vampire author Anne Rice also pens under the names of Anne Rampling and A. N. Roquelaure. By doing so, she ensures that her loyal Vampire readers do not inadvertently pick up a copy of something…well…steamier.

So yes, in my opinion, “branding” does matter, even within the confines of our own Crime genre.

Here’s a challenge, and please feel free to leave your answers in the comment section below: As a writer, how would you define your personal “sub-genre”?
(I’ll begin by classifying all 3 of my published novels as “Literary Thrillers”.)

Tweet with @Donna_Carrick
Visit me at FaceBook
at my Amazon Author Page
or at Carrick Publishing

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ARE WRITING CLASSES GOOD FOR PUBLISHED WRITERS? ~ M.H. Callway

Just back from an intensive 5-day class, The Fiction Writers How To, taught at Loyalist College in Belleville, Ontario by master teacher and Best Friend of the Mesdames, Rosemary Aubert.

In attendance: Mesdames M. H. Callway, Rosemary McCracken and Joan O’Callaghan.

Now then, readers, you might ask, can a dozen published writers learn new tricks?

Well, if the published writers want to keep – and win – new readers, the answer is affirmatively YES!

Master teacher, and award-winning writer, Rosemary Aubert chose a novel approach to our class. We submitted questions about problems we’ve wrestled with – and need answers to. Rosemary received over thirty thorny issues from everyone: enough material for three week-long classes!

Some of the how-to questions we thrashed out during the week were:

How to write a sex scene – without laughing or cringing, or worse making our readers laugh and cringe
How to write a fight scene – without drowning our reader in cliché’s and revealing our far too theoretical knowledge
How to blend in research – without boring our readers to death

Rosemary led the roundtable discussions where we writers shared our solutions with one another. In addition, a few of us were asked to present on our personal areas of expertise, such as:

How to find a market for your short story – little money but many rewards
How to bag endorsements for your new book – and not offend established writers
How to give a book reading – without choking and turning off your readers

We spent half of our week sharing strategies on marketing in the new world of books. For MBA’s like myself, we see how publishing is evolving from a capital intensive business to one with a low barrier to entry: in other words, to a fragmented business. The challenges are many, but the opportunities are limitless.

Our biggest challenge: how do introverted authors transform themselves into salespersons?

In the afternoons, we gave feedback on each other’s work. Always so encouraging to see so much talent and to encourage new writers. Humbling to realize that becoming a writer means a long journey indeed.

Click here for a YouTube video: Lord of The Rings clip

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Writing Courses: Are they Useful?

Joan O'CallaghanClose to 800 wannabe writers, all of whom had paid several hundred dollars to take the prestigious summer writing course and rub shoulders with some of the big names in Canadian letters, crowded into the auditorium at Humber College. The speaker that afternoon was the great and irreverent Mordecai Richler.

A member of the audience posed a question on the value of writing courses. Without skipping a beat, Richler told the audience he didn’t believe in them. There was a collective gasp. Why then, the questioner, persisted, was Richler teaching as a member of the faculty that week? That was easy, Richler responded. It was an opportunity to spend a week with his children who lived in Toronto.

What value is there to creative writing courses? Richler of course always flew in the face of convention. At the opening reception, he stood in front of a No Smoking sign, contentedly puffing on an odoriferous stogie.

Having experienced many writing courses, I beg to humbly differ with the late Mr. Richler. I think they can be of tremendous value. But not all writing courses are created equal. And to be successful, a writing course must have certain necessary components. For that I turn to the courses offered by Rosemary Aubert, herself an accomplished author (the Ellis Portal series, Terminal Grill, volumes of poetry, and more) and a gifted teacher. One of Rosemary’s stories will appear in our forthcoming anthology and we couldn’t be prouder!.

A good writing teacher tries to find out something about the level at which the students are functioning and plans the course accordingly. Have the students already been published? Have they completed a story or manuscript? Do they have an idea for a story but don’t know how to begin?

There should be time spent on actual teaching. This could include a lecturette on a relevant topic, again depending on the level of the participants, and/or actual writing exercises. For a group of beginners, a lecturette on how to begin a story so that it captures readers’ interest followed by examples and a writing exercise might be the subject of a class. For a more advanced class, the instructor may want to look at more subtle things like establishing tone or mood, or writing a credible sex scene without awkwardness or blushing.

The instructor should build in time for one-on-one mentoring since the participants in the course will likely be at different levels or places in their work and in need of some face-time devoted entirely to their own project.

An opportunity for participants to share their writing and receive feedback from the group is also necessary. Writers are often surprised at what readers like, don’t like, don’t understand etc. This feedback is invaluable. However there should be ground rules established by the instructor, shared with the class, and enforced. In other words, the instructor needs to establish the classroom environment as a safe space – safe to share one’s writing without being ridiculed or put down, and safe to voice criticism. I was once in a class where I offered some suggestions to an author whose work was being discussed. A classmate jumped up and told the author that her work was perfect and to disregard everything I said. The instructor did not intervene. Embarrassed, I clammed up. The classmate did apologize to me later, and the author e-mailed me to say how badly she felt about the incident because she was interested in what I had to say. However the damage was done. That class was not a safe space for speaking honestly, and for the duration of the course I kept my comments carefully neutral.

So yes, I am a believer in the value of writing courses. But do your homework first and pick one that promises to be a positive learning experience.

As for me, I am off to Loyalist College in Belleville next week with fellow Mesdames Madeleine Harris Callway and Rosemary McCracken to once again benefit from a week of intense writing and learning from our master-teacher Rosemary Aubert.

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WRITERS’ FESTIVAL IN BAYFIELD

Bayfield GroupIn two weeks time, Mesdames Cathy Astolfo, Melodie Campbell and M. H. Callway will be meeting aspiring writers and mystery fans in Bayfield, Ontario. They’ll be joining with friends Alison Bruce, Rene Natan, J. A. Menzies and Tanis Rideout to read from their work and to spread the word about the vibrant Canadian mystery scene.

The 2013 Bayfield Writers’ Festival is an annual event sponsored by the Village Bookshop in one of the prettiest towns along the Huron Coast. Do join us! And do help us spread the word by sharing on Facebook and Twitter.

Please share this link:
http://www.bayfieldwritersfestival.com
Thank you!

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How To Write A Review — OR: Apologies from a teacher who misguided you

Catherine AstolfoWhen I was an elementary school teacher, I assigned lots of book reviews. Depending on the grade level, I had certain outlines created by a committee or an individual teacher or even the Ministry of Education. None of these templates ever considered the Internet world. Why? Well, in my time, it didn’t exist. These days, the Internet is still ignored because writing a review in school has far different goals from writing a review on Amazon or Goodreads or any of the other myriad online sites.

The goals in school are two-fold. One, the student must prove to the teacher that s/he has actually read the whole book. Thus, a sufficiently detailed summary of the novel is a prerequisite. Two, the teacher focuses on certain skills to be demonstrated, all the way from the ability to predict outcomes based on clues to spelling or grammar.

A review for Amazon (I’m using the monster site to stand in for all the others) is entirely different. Firstly, there is only one major goal, although perhaps the reviewer may have a personal second. The major goal is to tell other readers about your own reactions to a novel you have read. If there is a second objective, it’s to promote/support the author (more on this later).

Let me wax prosaic on the first objective and make my apologies to students who have followed their teachers’ rules into the present. Here are some entirely new ones, from me. When you do an Amazon review, do NOT summarize the book. All the online sites, especially Amazon, provide excerpts, summaries, or synopses. As a reader, I can check out three whole chapters for free. I don’t need you to summarize. If you haven’t really read the book, you are just cheating yourself, or the author. And if you are a cheater or have an agenda to attack the writer, I’ll be smart enough to see very clearly through your subterfuge. So please don’t bore me with your perception of the novel’s plotline. Or worse yet, tell me the entire story. Leave the summarizing to the professionals.

What I am interested in is your reaction to the novel. This is your opportunity to write two or three sentences giving your opinion. You are not bound by the old rules. You are relieved of the summary task and you don’t have to prove any expert literary skill to anyone. (Although you may want to demonstrate correct spelling and grammar to be taken seriously.) Your only goal is to tell other readers what you thought of and how you felt about this particular book.

I want to know your reaction to the characters. Did you like them (especially the main ones)? Were you repulsed, yet fascinated, by any evildoers? On the other hand, did you find them dull or unbelievable (e.g. their dialogue was unnatural)?

Let me know if the plot held you spellbound, was based on fact/history/fantasy or whatever, or if it was slow, tedious or implausible. Again, I don’t want the details. I want descriptive reactions from you. “I couldn’t put this rollercoaster ride of a book down for one minute.” “I fell asleep every couple of pages.” “The history was fascinating and informative.” “The fantastical world of Astolfoland was beautiful, sumptuous and believable.”

Speaking of Astolfoland, you might want to focus on the setting. Was the landscape truly phenomenal? Pastoral, bucolic or frighteningly futuristic? Was the emphasis on the surroundings what turned you on or off the book?

Tell me what you thought of the author’s style. Did you enjoy their sarcastic wit? Was the funny, sardonic voice of the character hilarious? Do you like crisp, succinct writing that keeps a plot moving? Did you love the long, luxurious descriptive narrative?

You don’t have to use fancy vocabulary and you don’t, I repeat, don’t have the tedium and difficulty of writing a synopsis. You only have to tell the other readers how you personally reacted to the book.

This template translates into perhaps five minutes of your time. You don’t have to get very technical about each of these categories, but you can if you want to (e.g. search plot types and categorize the book if Amazon hasn’t done it to your liking). If you have more time, go ahead and Google. Otherwise, craft three short sentences about your personal opinion. Write about how you felt about the book and what you thought of the style (pick a focus if you want: voice, viewpoint, technique), setting, plot (thriller, narrative, type of conflict, romance) and/or characters (dialogue, description, actions). Cover all these categories or the one that affected you most and caused you to like/dislike the novel.

As a writer, I would be thrilled if everyone used this technique. Why? Because readers would then submit more reviews. Unencumbered by the difficult task of creating a synopsis or demonstrating a specific expertise, the reviewer knows exactly what to say. After all, their reaction to the novel is personal, unique and honest, and therefore easy to write.

One last thing: about the honesty. Of course it’s preferable to be truthful. But that doesn’t have to translate into mean, vicious and soul-destroying. There is a gentle way to say “that jacket makes you look fat”. A professional, responsible way to state that your reaction to the book was negative. I can say, “I disagree fundamentally with the viewpoint” or I can say, “The author takes a stupidly ridiculous stance”. One accepts responsibility for the opinion; the other blames and demeans. Another way to accept responsibility and be professional is to use your own name when you review a book. Don’t hide behind a moniker. If you are a friend/relative of the author, say so. As a reader, I will take your relationship into consideration. If you are one of my students trying to seek revenge for a low mark on a book report, let me know, and I’ll be sure to put an A on your review.

Now, go ahead and review your favourite author’s books!

Everything you ever wanted to know about Catherine and her books (including contact links) is on her website. Come and visit! www.catherineastolfo.com

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Two Great Sequels coming to you live from Mesdames Rosemary McCracken and Melodie Campbell!

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